Described as "especially glorious... ethereal" by Whole Note, and "a highlight of the concert" by the Boston Musical Intelligencer, the music of Canadian composer Tawnie Olson draws inspiration from politics, spirituality, the natural world, and the musicians for whom she composes. She has received commissions from the Canadian Art Song Project, Third Practice/New Music USA, the Canada Council for the Arts, Mount Holyoke College/The Women’s Philharmonic, the Blue Water Chamber Orchestra, Ithaca College, the American Composers Forum, and the Yale Institute of Sacred Music’s Robert Baker Commissioning Fund, among others. In 2017, she received an OPERA America Discovery Grant to develop a new work about Hildegard of Bingen and Eleanor of Aquitaine with re:Naissance Opera (libretto by Roberta Barker), and a Canada Council for the Arts Professional Development Grant to study field recording at the Cornell Lab of Ornithology. In 2018 she is the Composer-in-Residence of the Women Composers Festival of Hartford and an American Composers Forum BandQuest Composer-in-Residence at E.C. Adams School in Guilford, CT. She is the winner of the 2015 Iron Composer Competition, and her Three Songs on Poems by Lorri Neilsen Glenn took second prize in the 2018 NATS Art Song Competition. She is a 2018 Connecticut Artist Fellowship recipient and has won awards from SOCAN and The Guelph Camber Choir/Musica Viva.
Recent projects include Pop!, for concert band, commissioned by the American Composers Forum for the E.C. Adams 8th grade band, Susan Oakley, director, Incantation, for eight voices, violoncello, and continuo organ, commissioned by Third Practice, an arrangement/recomposition of "Know the Way" (by electronica artist Grimes), commissioned by Geof Holbrook and the Cluster Festival for the Plumes Ensemble, Magnificat, commissioned by Karen Clute for the Elm City Girls Choir and Yale Schola Cantorum, Three Songs on Poems by Lorri Neilsen Glenn, for soprano and piano, commissioned by the Canadian Art Song Project for Magali Simard-Galdès, Summer's End, commissioned by The Sebastians, Glimmer, Gossamer, Glint, for orchestra, commissioned by the Blue Water Chamber Orchestra, and Meadowlark, for marimba and fixed media, composed for Ian David Rosenbaum.
Olson's music is performed on five continents; it can also be heard on recordings by Parthenia (with bass-baritone Dashon Burton), the Canadian Chamber Choir, percussionist Ian David Rosenbaum, bassoonist Rachael Elliott, soprano Magali Simard-Galdès, oboist Catherine Lee, and Shawn Mativetsky, McGill University professor of tabla and percussion. Her scores are available from the Canadian Music Centre, Galaxy Music, Hal Leonard's Mark Foster series, and E.C. Schirmer. Olson holds a doctorate in music composition from the University of Toronto, a Master of Music degree from the Yale School of Music, an Artist Diploma from the Yale Institute of Sacred Music, and a Bachelor of Music degree from the University of Calgary. She is an adjunct professor of composition at the Hartt School of Music.